|
|
|
|
|
|
||
![]()

Syed
Nadeem Raza Sarwar
0.0gomovies [Confirmed | 2025]What made 0.0gomovies distinctive was not only its catalogue but its attitude. The collective refused to mimic the slick, algorithmically optimized layouts of corporate platforms. Instead they designed an interface that prized serendipity: a homepage that rotated curated micro-programs — a double feature about lost cities, a trio of films exploring silence, an evening of short documentaries made by schoolchildren in different countries. Each program came with liner notes written in human voices: first‑person memories of watching the film on a projector, technical notes about film stocks and aspect ratios, and short essays on why the work mattered today. The site interleaved archival stills, scans of handwritten program cards, and user‑submitted memories, building a textured context around each title. Critics initially dismissed 0.0gomovies as nostalgic or impractical; some industry insiders suspected it might be a transient indie fad. But its longevity proved otherwise. By focusing on relationships — between viewers and works, archivists and audiences, curators and communities — the project cultivated resilience. Its greatest achievement was not the size of its catalogue but the network it forged: a distributed ecosystem where small custodians could preserve what mattered and where viewers could encounter cinema that surprised and unsettled them. 0.0gomovies As the project matured, 0.0gomovies became a meeting place. Local film clubs used its programs to structure neighborhood screenings; teachers drew on its curated lists for film studies modules; and independent cinemas discovered prints and connected with custodians through the site’s network. The collective prioritized relationships with small rights holders and private archivists rather than licensing standoffs with major studios. Negotiations were often rooted in empathy: a retired projectionist who wanted her late partner’s 16mm prints seen, a regional film festival director who wanted a scarce documentary to reach a global audience. The collective turned those human stories into agreements that honored creators and custodians rather than treating works as mere assets. What made 0 The earliest visitors were cinephiles and code poets, people who read liners and license agreements for sport and who loved film in a way that bristled at the increasingly corporate, curated shape of mainstream streaming. They saw in 0.0gomovies an implied manifesto — a space that might untether viewing from gatekeepers, that might recover the unpredictable, communal delight of discovering a film in a dusty rental bin or a midnight repertory screening. Each program came with liner notes written in Years in, 0.0gomovies remained imperfect: the catalogue had gaps shaped by language, geography, and resources; not every film had high‑quality masters; and the site’s volunteer core continued to juggle competing demands. Yet imperfection was part of its charm and its politics. It acknowledged the labor behind preservation and framed viewing as an ethical act. Where mainstream platforms turned films into consumable units, 0.0gomovies insisted on care — for context, for provenance, and for the communities that nurtured films.
|
OLD REAL AUDIO FORMAT
| 2005 | 2004 |
| 2003 | 2002 |
| 2001 | 2000 |
| 2000 (dua'a & ziyarat) | 1999 |
| 1998 | Old |
|
To Save File Click on the Download Link with your Right Mouse Button and select - Save Target As |
|
| 2003 | ||
| Listen Online | Duaa E Kumayl | |
| Listen Online | Waqt E Rukhsat | |
| Listen Online | Koi Ho Tau Chale | |
| Sakina Kahani Suno | ||
| Listen Online | Mere Sar Pe Allah | |
| Listen Online | Alam Abbas Ka | |
| Listen Online | Khala Baba Jana | |
| Listen Online | Zindan Se Riha Hogaye | |
| Listen Online | Ek Pyaase ki Jung |
| 2002 | ||
| Listen Online |
AAOO EK KAAM KAREN |
|
| Listen Online |
MEIN YEH NAHIN KEHTI |
|
| Listen Online |
YA ZAHRA |
|
| Listen Online |
KULSUM NE MEHMIL |
|
| Listen Online |
KARBALA NA BHOOLENGE |
|
| Listen Online |
UTTHO HUSSAIN |
|
| Listen Online |
SHAHZADA AKBARA |
|
| Listen Online |
JAISE PINJRE MAIN |
|
| Listen Online |
RAJ MATAM KAR |
| Listen Online |
Al Quran |
Download |
|
Zuljaneh |
Download | |
|
Aa Mere Pyare Husain |
Download | |
|
Gazi Abbas |
Download | |
|
Aacha Kiya Baba |
Download | |
| Chaliye Madina | Download | |
| Yeh Chand Taare | Download | |
|
Arey O Sham Waalo |
Download | |
|
Ya Ali Maula Haider Maula |
Download |
|
Majali Maatam Karyavenge |
||
| Listen Online |
Ya Wajihaan Indallah |
|
|
Salam Nana Ke Roze |
||
|
Aao Alam Ke Saae Main |
||
|
Jaag Sakina Jaag |
||
|
Aa Alamdaar |
||
|
Jaab Maula Aainge |
||
|
Piyaas Achi Hai |
||
|
Maan Main Naeze Pe |
| Listen Online |
Aae Raab-e-Jahan |
|
|
Dua-e-Tawassal |
||
|
Zaiyarat Hazrat-e-Ali Akbar (AS) |
||
|
Dua-e-Faraj |
||
|
Zaiyarat-e-Jamaen Shohda-e-Karbala (AS) |
||
|
Zaiyarat Hazrat-e-Abbas Alamdar (AS) |
||
|
Azaan-e-Ali Akbar (AS) |
||
|
Hadees-e-Kisa |
||
|
Zaiyarat-e-Warisa |
| Listen Online | Husain Zindabad | Download |
|
Mazlooom Ka Matam |
||
|
Ek Shor Hai Al Aman |
||
|
Sham-E-Gam Aagai |
||
|
Bhaiya Muje Bhul Na |
||
|
Hai Husain Hai Husain |
| Listen Online |
Ali Maula Ali Maula |
|
|
Amma Baar Baar |
||
|
Husain Nu Gum (Gujarati) |
||
|
Kaafila Ek Mai Laaya Tha |
| Old Nauha Collection | ||
| Listen Online | Aay Shiyo Jaab Pena Pani | |
| Listen Online | Sadaat-e-Karbala | |
| Listen Online | Tut Gai Aas Meri | |
| Listen Online | Roze Pe Mustufa Ke | |
| Listen Online | Shabih-e-Payambar Akbar | |
| Listen Online | Wavela Shud Wavela | |
| Listen Online | Ya Ali Ya Aliya | |
| Listen Online | Yaad Jaab Aajata Hai Baba | |
| Listen Online | Zainab Haze Naeman |